The iconic Libera Me from the Faure Requiem with Sydney Philharmonia Choirs in the Sydney Town Hall.

What Power Art Thou? (The Cold Song) by Purcell performed by Andrew O’Connor w Salut Baroque.

Joseph’s Carol by John Rutter performed by Andrew O’Connor, St Mary’s Cathedral Choir, and Sydney Youth Orchestras conducted by Thomas Wilson, Director of Music.

An excerpt from Pinchgut Opera’s Score to Stage featuring rehearsal, discussion, and stage footage from Cesti’s Orontea (directed by Constantine Costi, Shannon Burns, Erin Helyard) from a live performance in May 2022 at the City Recital Hall.

Mache Dich, Mein Herze, Rein from Matthäus-Passion Johann Sebastian Bach Andrew O'Connor, Bass-Baritone Thomas Wilson, Organ Jan Muths, Recording Engineer Re...

'Sleep' from Five Elizabethan Songs Ivor Gurney (1890 - 1937) Andrew O'Connor, Bass-Baritone Anna Rutkowska-Schock, Piano The Independent Theatre, Sydney Performed as part of 'Songs Before Sleep' for The Song Company www.andrewoconnor.com.au

Actus Tragicus / BWV 106 / J.S.

My first ever vocal composition - Thought Is Surrounded By A Halo (Gwen Harwood) sung by the Australian Vocal Ensemble and recorded for ABC Classic.

Ombra’s Aria from Giovanni Legrenzi’s Giustino.

AVÉ perform Stars (Stephen Leek) as part of promotion for their Tumbling Like Stars EP. Recorded and filmed at the Queensland Conservatorium of Music, Brisbane / Meanjin.

Cornelius’ The Three Kings is a beautiful and memorable Epiphany Carol performed here with the Cathedral Scholars of St Mary’s Cathedral Choir Sydney as part of a Christmas Concert broadcast on Channel 7 in 2020 with the Orchestra of the Antipodes directed by Thomas Wilson.

Excerpts from 'L'Orfeo' by Claudio Monteverdi Orfeo: Andrew O'Connor, Bass-Baritone Director: Erin Helyard, Artistic Director of Pinchgut Opera Players from The Orchestra of the Antipodes Recorded live at Dangrove on 3 March 2019 The Splendour of Venice Phoenix Central Park, Sydney, Judith Nielson AM Sopranos | Amy Moore, Anna Sandstrom,

Eric Whitacre's beautiful setting of 'Goodnight Moon' (Margaret Wise Brown) has long been a favourite of mine - and I jumped at the chance to include it as a final encore (with some ossia borrowed from the choral version) in my 'Songs Before Sleep' recital program in Sydney, Australia.